＃管 啓次郎 ＃本は読めないものだから心配するな ｽｶﾞｹｲｼﾞﾛｳ | Keijiro Kan Don't worry, you can't read books. :9784480437662

**"Opened up a new perspective on world literature"**
Japanese comparative literature scholar, essayist, translator, and poet. He is active as a professor of general arts at the Meiji University Faculty of Science and Engineering and the Graduate School of Science and Engineering, Department of Architecture and Urban Studies. He also teaches part-time in the areas of Caribbean literature, Chicano literature, Francophone African literature, and American Indian literature.
In 1985, he launched the doujinshi "Méli-Mélo" and later edited the Transamerica special issue of the magazine "GS Fun Knowledge". He later lived in Hawaii and other parts of the western United States. As a researcher of Caribbean French literature, he has proposed the concept of ``omniphone exilography,'' and discusses world literature based on the background of multilingualism and experiences of exile and migration.
As a writer of essays and critical prose, Tadashi Wakashima has described his works as ``all worthy of being called small masterpieces,'' and Hisaki Matsuura has said that he is ``one of the best writers.'' Toshiyuki Horie has also described him as ``a thought maverick or poetic coyote who turns his criticism into a travelogue.''
Q: What did you do?
A: By opening up new perspectives on world literature and discussing world literature against the backdrop of multilingualism and experiences of exile and migration, he established himself as a scholar of Japanese comparative literature.
Q: What are your famous works?
A: There are many works that demonstrate Keijiro Kan's own unique perspective and creativity, such as ``Omniphone Exilography'' and a reading of ``Night on the Galactic Railway.''
English Summary
**"Opened up a new perspective on world literature"**
Japanese comparative literature scholar, essayist, translator, and poet. He is active as a professor of general arts at the Meiji University Faculty of Science and Engineering and the Graduate School of Science and Engineering, Department of Architecture and Urban Studies. He also teaches part-time in the areas of Caribbean literature, Chicano literature, Francophone African literature, and American Indian literature.
In 1985, he launched the doujinshi "Méli-Mélo" and later edited the Transamerica special issue of the magazine "GS Fun Knowledge". He later lived in Hawaii and other parts of the western United States. As a researcher of Caribbean French literature, he has proposed the concept of ``omniphone exilography,'' and discusses world literature based on the background of multilingualism and experiences of exile and migration.
As a writer of essays and critical prose, Tadashi Wakashima has described his works as ``all worthy of being called small masterpieces,'' and Hisaki Matsuura has said that he is ``one of the best writers.'' Toshiyuki Horie has also described him as ``a thought maverick or poetic coyote who turns his criticism into a travelogue.''
Q: What did you do?
By opening up new perspectives on world literature and discussing world literature against the backdrop of multilingualism and experiences of exile and migration, he established himself as a scholar of Japanese comparative literature.
Q: What are your famous works?
There are many works that demonstrate Keijiro Kan's own unique perspective and creativity, such as ``Omniphone Exilography'' and a reading of ``Night on the Galactic Railway.''
Wikipedia:Keijiro Kan