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安部龍太郎 / Ryutaro Abe
**「歴史を新たに読み解く」という力を持った小説家**
安部 龍太郎は、日本の小説家。日本文芸家協会と日本ペンクラブの会員です。福岡県八女市で生まれ、国立久留米工業高等専門学校を卒業しました。太宰治や坂口安吾などの作品を学生時代から読んでおり、高専時代にラグビーが大けがを負い休学したときに坂口の「堕落論」を読んで作家になることを志すようになったそうです。
彼は29歳で上京して東京都大田区役所の矢口出張所で勤めました。その後下丸子図書館で「図書館報」の編集をしました。それまで同人誌などに小説を書いていた彼ですが、妻子がいて29歳のときに公務員を退職して2年間限定で小説の執筆に専念した。その間に歴史小説で初めて最終選考に残ったためさらに1年延長して創作に没頭しました。1988年に短編「師直の恋」(『小説新潮』)で文壇にデビューしまして、その後週刊誌(『週刊新潮』)の連載が好評を得て予定を越えて延長を重ねました。この連載をもとに1990年に「血の日本史」(「日本史 血の年表」改題)が、単行本のデビュー作となりました。これをきっかけに「隆慶一郎が最後に会いたがった男」という逸話が生まれました。
彼は早くから新人賞の候補になったものの度々受賞を逃していて、それから46歳のとき京都で仕事場を設け、茶道や水墨画を学びました。そして2013年に自身の姿を長谷川等伯に重ねて書いた「等伯」で直木賞を受賞しました。歴史小説家として欠落しているものを感じ、彼は歴史を動かしてきた三つと考えています。それが「海外貿易と経済構造の変化、それを担う人材が現れるか」です。これを基に彼は、家康、遣唐使の物語、太平記という3つのシリーズものを作成しています。
彼は自身の出自について気になり、「太平記」のシリーズに関して山村で落人集落と伝えられている自分の出身が気になり書くことに決めたそうです。
Q:何をされた方ですか?
歴史小説家として欠落しているものを感じ、46歳の時に京都に仕事場を設けて茶道や水墨画を学びました。そして2013年に自身の姿を長谷川等伯に重ねて書いた「等伯」で直木賞を受賞しました。
Q:有名な作品は何ですか?
「血の日本史」(「日本史 血の年表」改題)、「師直の恋」(『小説新潮』)です。
関連動画
・特別企画展「作家 安部龍太郎展」
・OTAKARA発見隊 vol.34 『作家 安部龍太郎さん』
・直木賞作家・安部龍太郎さんが講演 真備町ゆかりの偉人・吉備真備を語る【岡山・倉敷市】 (23/08/11 17:55)
English Summary
**A novelist with the power to “interpret history in a new way”**
Ryutaro Abe is a Japanese novelist. He is a member of the Japan Literary Artists Association and the Japan Pen Club. Born in Yame City, Fukuoka Prefecture, graduated from Kurume National College of Technology. He has been reading the works of Osamu Dazai and Ango Sakaguchi since he was a student, and when he took a leave of absence due to a serious rugby injury during his time at a technical college, he read Sakaguchi's ``The Depravity Theory'' and became interested in becoming a writer.
He moved to Tokyo at the age of 29 and worked at the Yaguchi Branch of the Ota Ward Office in Tokyo. After that, I edited the ``Library Bulletin'' at Shimomaruko Library. Until then, he had been writing novels for doujinshi and other publications, but at the age of 29, when he had a wife and children, he retired from his job as a civil servant and devoted himself to writing novels for two years. During that time, I was shortlisted for a historical novel for the first time, so I decided to extend my work for an additional year and devote myself to writing. I made my literary debut in 1988 with the short story ``Moronao no Koi'' (Novel Shincho), and later serialized it in a weekly magazine (Weekly Shincho), which was so well received that it was extended beyond schedule. Based on this series, ``Japanese History of Blood'' (renamed ``Japanese History Chronology of Blood'') became the debut work of a book in 1990. This led to the creation of the anecdote, ``The last man Ryu Keiichiro wanted to meet.''
Although he was nominated for the Newcomer's Award early on, he often failed to win the award.At the age of 46, he set up a workshop in Kyoto and studied tea ceremony and ink painting. In 2013, he won the Naoki Prize for his work ``Tohaku,'' which depicts himself as Tohaku Hasegawa. As a historical novelist, he feels that there are three things that are missing, and he considers them to be the three things that have moved history. That is, ``changes in overseas trade and economic structure, and will the human resources who will take on these changes emerge?'' Based on this, he created three series: Ieyasu, the story of the envoys to China, and the Taiheiki.
He was curious about his origins, and decided to write about his origins in the ``Taiheiki'' series, which is said to be a mountain village where people lost their people.
Q: What did you do?
I felt that I was missing something as a historical novelist, so at the age of 46 I set up a workplace in Kyoto and learned tea ceremony and ink painting. In 2013, he won the Naoki Prize for his work ``Tohaku,'' which depicts himself as Tohaku Hasegawa.
Q: What are your famous works?
``Japanese History of Blood'' (renamed ``Japanese History Chronology of Blood'') and ``Moronao no Koi'' (``Novel Shincho'').
Wikipedia:安部龍太郎
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